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マン・レイと女性たち Man Ray and the Women 2022年10月22日(土)–2023年1月22日(日) 神奈川県近代美術館 葉山 The Museum of Modern Art, Hayama
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NAITO Rei, Tout animal est dans le monde comme de l'eau à l'intérieur de l'eau, 2022
from museum collection
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かながわ教育月間

Man Ray and the Women

About the Exhinbition

Man Ray (1890–1976) was a leading artist of the twentieth century. Transcending genres such as paintings, objects, and films, he was particularly in pursuit of the potentials of photography as a new medium. While producing experimental expressions by means of rayograph and solarization, he recorded the Dada and Surrealist movements he took part in and undertook portraits and fashion photography, too. Shedding light on the “women” captured by Man Ray’s camera, through approximately 240 works, the trajectory of his photographic works and how Man Ray was received in Japan are examined.

Information

Venue
HAYAMA, Galleries 1, 2, and 3a
Period
October 22, 2022–January 22, 2023
Closes
Mondays(Without January 9, 2023)、December 29, 2022–January 3, 2023
Opening hours
9:30-17:00(Last admission at 16:30)
Admissions
Adult:1,200 yen
Under 20 or Students: 1,050 yen
65 and over: 600 yen
High School students: 100 yen
Junior High School students and under 16: Free
*Tickets of the exhibition "Man Ray and the Women" also entitle to entry NAITO Rei, Tout animal est dans le monde comme de l'eau à l'intérieur de l'eau, 2022 on the day of purchase. * A person with disabilities and one accompanying caretaker are admitted free of charge upon presenting Disabled Person's Handbook or an equivalent government-issued identification.* "Family Communication Day" offers a discount for all group (except those 65 or over) accompanying children under 18 on the first Sunday of every month.* For more infomation, see Concessions & Free Admission.
Organized by
The Museum of Modern Art, Kamakura & Hayama
Supervised by
Kunio Iwaya(Scholar of Surrealism and French literature, Art critic, Emeritus professor of Meiji Gakuin university)
Marion Meyer(Scholar of 20th century's Art, President of the Association Internationale Man Ray, Paris)
Planning Cooperation
Art Planning Rey Inc.
Special Cooperation
Association Internationale Man Ray, Paris
ロゴ1 : 国際マン・レイ協会
Cooperation
Ambassade de France/ Institut français du Japon 
ロゴ2 : 在日フランス大使館/アンスティチュ・フランセ日本
Supported by
Japan Airlines

 

 

 

Composition of the Exhibition

Chapter I New York 1890ー1921
  I-1 Self-Portraits
  I-2 Works from the Dada Period
Chapter II Paris 1921ー1940
  II-3 Dada and Surrealism
  II-4 Portraits of the Surrealists
  II-5 Kiki de Montparnasse
  II-6 Lee Miller
  II-7 Parisien Society and the Artistic Circles of Montparnasse
  II-8 Fashion and Photography
  II-9 From Nudes to Mannequins
  II-10 Women and Surrealism
  II-11 Man Ray’s “Free Hands”
  II-12 Ady Fidelin
Chapter III Hollywood 1940ー1951
  III-13 Juliet Browner
  III-14 A New World for Man Ray’s Art
Chapter IV Returning to Paris 1951ー1976
  IV-15 The Female Figures in His Artwork
  IV-16 Novel Jewelry and Fashion Design
  IV-17 A Look Back : Who Was Man Ray?

 

Man Ray and Japan
Cooperated by Keio University, Hiyoshi Media Center

 

About the special section

On the occasion of the exhibition "Man Ray and the Women," the museum will feature "Man Ray and Japan" as its special section. Man Ray also worked with Dada and Surrealist poets on books of poetry and art, in addition to photography, objet d'art, film, and painting. His wide-ranging activities were introduced to Japan in the late 1920s, when he moved from New York to Paris, and influenced prewar avant-garde artists. This section features letters, photographs, books, and other materials exchanged by Shuzo Takiguchi (1903-1979) and Chiruu Yamanaka (1905-1977), both Surrealist poets, critics, and translators who led the Surrealism in Japan, with Surrealists overseas. This exhibition attempts to trace Man Ray's reception in Japan.
The section is includes a collection of poems and drawings that Man Ray collaborated with the poet Paul Éluard and The Distance of the Fairy (1937), a collection of poems and drawings that Takiguchi edited with Yoshifumi[Nobuya] Abe (1913-1971).
After the war, Aiko Miyawaki (1929-2014), a sculptor who came to Europe under the urging of Abe and Takiguchi, had a relationship with Man Ray from 1962 to his last years, and she was also a model for him. The section presents those letters and objects that show their interactions, as well as looks back at Miyawaki's creative transformation from the two-dimensional to the three-dimensional in the late 1960s.

Works

  • Lee Miller
    ca. 1929, Gelatin silver print, printed later
    Private collection
    Courtesy Telimage, Photothèque Man Ray, Paris/ ©MAN RAY 2015 TRUST/ ADAGP, Paris & JASPAR, Tokyo, 2021 G2698

  • Portrait of Aiko Miyawaki
    1962, Gelatin silver print, replica
    Aiko Miyawaki Atelier
    Courtesy Aiko Miyawaki Atelier/ ©MAN RAY 2015 TRUST/ ADAGP, Paris & JASPAR, Tokyo, 2021 G2698

  • Coco Chanel
    1935, Gelatin silver print, printed later
    Private collection
    Courtesy Association Internationale Man Ray, Paris/ ©MAN RAY 2015 TRUST/ ADAGP, Paris & JASPAR, Tokyo, 2021 G2698

  • Self-portrait with Camera, Solarization
    ca. 1932-35, Gelatin silver print, vintage print
    Private collection
    Photo Marc Domage, Courtesy Association Internationale Man Ray, Paris/ ©MAN RAY 2015 TRUST/ ADAGP, Paris & JASPAR, Tokyo, 2021 G2698

  • Perpetual Motif
    1923/ 1971, Metronome, photography of a photo-optic eye
    Private collection
    Photo Marc Domage, Courtesy Association Internationale Man Ray, Paris/ ©MAN RAY 2015 TRUST/ ADAGP, Paris & JASPAR, Tokyo, 2021 G2698

  • Nusch Éluard, from Facile
    ca. 1932-35, Gelatin silver print, vintage print
    Private collection
    Photo Marc Domage, Courtesy Association Internationale Man Ray, Paris/ ©MAN RAY 2015 TRUST/ADAGP, Paris & JASPAR, Tokyo, 2021 G2698

  • Hand, Rayograph
    1927, Gelatin silver print, printed later
    Private collection
    Courtesy Association Internationale Man Ray, Paris / ©MAN RAY 2015 TRUST/ ADAGP, Paris & JASPAR, Tokyo, 2021 G2698

  • Adrienne Fidelin
    1937, Gelatin silver print,
    vintage print
    Private collection
    Photo Marc Domage, Courtesy Association Internationale Man Ray, Paris/ ©MAN RAY 2015 TRUST/ADAGP, Paris & JASPAR, Tokyo, 2021 G2698

  • Pêchage
    1969/ 1972, Wooden box, three synthetic peaches, cotton, paint
    Private collection
    Photo Marc Domage, Courtesy Association Internationale Man Ray, Paris/ ©MAN RAY 2015 TRUST/ADAGP, Paris & JASPAR, Tokyo, 2021 G2698

  • Black and White
    1926, Gelatin silver print, printed later
    Private collection
    Photo Marc Domage, Courtesy Association Internationale Man Ray, Paris/ ©MAN RAY 2015 TRUST/ADAGP, Paris & JASPAR, Tokyo, 2021 G2698

  • Julie, from La Ballade des Dames hors du Temps
    1971, Etching with aquatint in colours
    Private collection
    Photo Marc Domage, Courtesy Association Internationale Man Ray, Paris/ ©MAN RAY2015 TRUST/ADAGP, Paris & JASPAR, Tokyo, 2021 G2698

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