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About Us

The Museum of Modern Art, Kamakura & Hayama

The Museum of Modern Art, Kamakura opened as the first public museum of modern art in Japan in 1951. Ever since, it has been in constant pursuit of the ideal function of an art museum and played a leading role in this country. We do our best to take a broad view of the era and the world, grasp the needs of the changing society, cherish ties with the local community to which the Museum belongs, find present-day subjects in history, and be sure that the originality and the independence of the Museum do not get lost. With such principles in mind, we have been accumulating experience and exploring further activities.

From April 2016, the museum's activities are integrated into two buildings known as The Museum of Modern Art, Hayama and the Kamakura Annex. Each location organizes 4 or 5 exhibitions a year. Besides organizing numerous exhibitions, we also work hard to plan a variety of activity programs for the public to enjoy the Museum in diverse ways. Our aim is to make the Museum a place for everyone to enjoy, feel comfortable, and discover something unexpected.

Greetings from the Director


2208-1, Isshiki, Hayama, Kanagawa 240-0111
[Access Map ]


closed on March 2016
2-1-53 Yukinoshita, Kamakura, Kanagawa 248-0005
[ Access Map ]

Kamakura Annex

2-8-1 Yukinoshita, Kamakura, Kanagawa 248-0005
[ Access Map ]



Museum History

The Museum of Modern Art, Kamakura first opened its doors on 17 November, 1951. The idea for the Museum was conceived in 1949 at a gathering of resident artists, scholars, and critics of Kanagawa Prefecture, who felt the need for activities that provide cultural and artistic guidelines in a period of social confusion and rebuilding following World War II. Deciding to work together to establish an art museum, they formed the Kanagawa Prefecture Artists' Assembly. The founding in 1951 of this first public museum of modern art in Japan, housed in a building designed by Junzo Sakakura, was widely welcomed with great anticipation.

Modeled after the Museum of Modern Art in New York, it has continued to win recognition for activities that it began based on tenets that can be summarized as follows:

  • To introduce the modern and contemporary art of Japan to the world and the Japanese public, in an effort to promote mutual understanding between Japan and the world. Also, to define the place of contemporary Japanese art within the larger context of international art.
  • To introduce the development of Japanese modern art and to evaluate it historically from a contemporary perspective in order to make it comprehensible to the contemporary viewing public.
Poster of the first exhibition at KAMAKURA in 1951,

The Museum's inaugural exhibition was "Cezanne and Renoir." Thereafter, it has continued to help define the history of art by organizing exhibitions of works by foreign artists, various theme exhibitions, and especially exhibitions of works by important modern Japanese artists such as Yuichi Takahashi, Tetsugoro Yorozu, Seiki Kuroda, Yuzo Saeki, and Shunsuke Matsumoto. By the time of its fiftieth anniversary, the Museum had organized over six hundred exhibitions. As can be seen from the tenets above, the Museum centered its activities around temporary exhibitions when it first began, and this policy has remained unchanged to the present. Supporting such activities, however, is the day-to-day research conducted by the Museum's curators. Together with the exhibitions it has organized, the Museum can be proud of its many accomplishments in the field of scholarly research as well. Additionally, through its exhibitions, the Museum has built close relationships with artists, collectors, art enthusiasts, and the families of deceased artists, who have graciously helped to built what is today one of the finest collections of art housed in a public art museum in Japan.

In 1966, an extension was constructed next to the original building. With another gallery and a storage room to hold the growing collection of artworks, it allowed the Museum to expand its range of activities. The design was once again entrusted to Junzo Sakakura.

As the collection continued to grow over the years, however, the need again arose for more storage space and more gallery space for the permanent exhibition. Construction of the Kamakura Annex, designed by Masato Otaka, was therefore undertaken and finished in July 1984. The open-air sculptures in the Annex's front courtyard are a reflection of the Museum's successful efforts to vitalize contemporary Japanese sculpture.

As the Museum ceaselessly conducted its energetic activities, it continued to face various issues such as meeting societal demands, storing an ever-growing collection, and dealing with exhibitions that were becoming larger in scale. Accordingly, in 1994, the Committee for the Reorganization and Planning of the Museum was established and began looking into a new organization for the Museum in the coming century. After careful study, the Committee made the decision in 1997 to construct a new museum on Isshiki Beach in the town of Hayama. After the building was designed by AXS SATOW INC., the application for the PFI project was finished in 2001, and soon thereafter, construction began. The construction work of the Museum of Modern Art, Hayama took a year and a half. Upon its completion in March 2003, a new building emerged along the coastline overlooking the sea.

Through its activities, the Museum has built close relationships with artists, their families, collectors and art enthusiasts, who have graciously helped to built what is today one of the finest collections of art (approx. 14,000 works) housed in a public art museum in Japan.
The Museum of Modern Art, Kamakura closed down at the end of March 2016. From April 2016 onwards, the Museum's activities are integrated into two buildings, The Museum of Modern Art, Hayama and The Museum of Modern Art, Kamakura Annex.